Found in Berlin’s Schöneweide region, sculptor Przemek Pyszczek’s studio is a long way from home. Drawn to his home country of Poland’s kitschy charm, Pyszczek found his future muses in Soviet-era artifacts. With a background in architecture his artistic obsession began with photography of Wielka Płyta, Poland’s solution to the immediate need for post-war housing, and later evolved to sculptures that incorporated Soviet architecture-inspired elements.
Lindsay Cooper 